Delta Space Mission

Imagine an early Eighties Eastern European space-prog album high on sugary breakfast cereal, “Heavy Metal” magazine, Hanna-Barbera cartoons and 8-bit arcade games like Galaxian and Asteroids, and you have some idea of the otherworldly weirdness of the Romanian animated sci-fi film DELTA SPACE MISSION. In the year 3084, a Modigliani-esque alien journalist with blue-green skin, Alma, boards a state-of-the-art spacecraft named Delta – whose highly advanced computer brain develops a mad teenage crush on her with disastrous results. An incredibly strange and strangely beautiful work of galactic eye candy, DELTA SPACE MISSION defies all rules of perspective and logic, like M.C. Escher and Moebius teaming up on a Romanian Saturday morning cartoon. Fueled by an addictive Perry-Kingsley like electronic synth score by Calin Ioachimescu, DELTA SPACE MISSION grooves along folding space and time, an early Eighties Euro disco perched on the edge of a Black Hole. With its egg-shaped spaceships, giant floating triangles and anthropomorphic computer, the film also brings to mind Kubrick’s 2001: A SPACE ODYSSEY, Rene Laloux’s FANTASTIC PLANET and the work of the Strugatsky Brothers (STALKER).