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Writer-director Whit Stillman has just
completed his trilogy of similar themed films with The Last Days
Of Disco. The series, including Metropolitan and
Barcelona, examines the lives of priviledged young adults
trying to succeed at love and life in the city.
Stillman has received critical acclaim
for his films plus an Academy Award® nomination for the
Metropolitan script. The Last Days Of Disco has even
brought Stillman commercial success, relative to the limited release
of the film.
We interviewed Whit using questions
submitted by web site visitors just like you. He provided some very
insightful answers. See what he has to say critics, rising star Kate
Beckinsale, Whit's own disco days and much more.
Readers supplying the selected questions
will receive a picture autographed by Stillman. Stillman's The
Last Days Of Disco arrives at
on October 13 from Polygram Video.
Hear excerpts of the Whit Stillman
interview in RealAudio! Get the free Real player.
What do you draw your
inspiration from when writing a screenplay?
Bobbi Porzel
Roselawn, Indiana
WHIT
STILLMAN:
The critic I most admire is Samuel
Johnson, Dr. Johnson. He would always say that the best
inspiration, the best models for any fiction is lived experience.
In addition to that, I think that when you come to write something
you fall back in your admiration for other writers. In this film,
I think J.D. Salinger was kind of an inspiration and he's
mentioned in the course of the film.

Do you have any role
models that inspired you to want to make movies?
Ally Knapp
Indianapolis, Indiana
WHIT
STILLMAN:
I went through a period of infatuation with the novels of F. Scott
Fitzgerald when I was starting my teenage years and subsequently.
My father was in politics, so my original ambition was to go into
politics like he did. And when I decided that was really his
career, not mine, my aspiration was to write novels like
Fitzgerald, but I found something about the process of that
intimidating. The great thing about movies is when you're making
them it's sort of an industrial process. It's group social life
when you're making a movie. And then the final product you have
can communicate itself much more directly to people in the sense
that you have the tools of music and the camera and you can show
things.

Is there any particular
story you'd like to do?
John Hendrikson
Hanover, New Hampshire
WHIT
STILLMAN:
Now that I've done these three romantic
comedies set in a very specific world that are sort of potentially
inter-related with Disco, Barcelona and
Metropolitan. Now I'd like to go into historical subjects
-- adventure films against a historical background. I missed not
getting a chance to do a different version of The Last Of The
Mohicans, a different version of Zorro, sort of Zorro of the
American Revolution that I want to make a film about as the next
film.

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